Arts in Southeast Asia

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Tumpalai Phu Pha Yon

The various engraved drawings can be classified as follows:1. Human figures. There are 21 engraved drawings of people, including both realistic and semi-realistic portraits. There are 9 realistic drawings, 2 of children and 7 of adults, that show the similarity between the real person and the drawing, for instance, the drawing of a person with an emphasis on only the outlines; the description of organs such as ears, eyes, mouth, nose, fingers, toes are not shown. The semi-realistic drawing is the drawing that characterizes the person in proportion but will be inaccurate from reality, for instance, the human head is in a square shape or the muscles of the limbs are not focused. However, other important parts such as ears, eyes, mouth, nose, fingers and toes aren’t completely shown. There are 12 drawings of this type. 2. Human hands. There is only one drawing of a right hand with the palm open. There are six fingers on the hand.3.Animals figures There are 21 drawings, 8 of fish, 4 of birds, 2 of dogs, 1 of a squirrel or a chipmunk, 1 of a buffalo, 4 of buffaloes or cows, 1 of a frog or a small green frog. 4. Geometrical motifs There are a lot of drawings with straight lines, curve lines or lines with different patterns, square, triangle, cross, arrowhead, rhombic triangle, single line, arranged lines, and crossed lines and sometimes the shape cannot be identified. 5.Appliance For example, a picture that resembles a plow, farming tools that show only the head area called “Moldboard plow” or “Phal” at the rear. There are also drawings of a shovel with a handle and a fan for blowing away the withered grain. 6.Building There are 2 drawings that look like a house. It is a house with a gable roof. One drawing is of a house with a dog inside and another drawing is of a house with a crossed roof similar to the roof of Kalae house or the roof of a hut in a farm in northeast of Thailand and it looks like there is a person inside the house.

Thailand

Sakon Nakhon

Art period
Prehistoric Age
Age
3,500 years old
Type of artwork
Painting
Head of Avalokitesvara
SculptureHead of Avalokitesvara

The head of this Bhodhisavara wears the crown like monk with a trianglular cornice according the Pala-Chava arts. The face is still very much Indian-Chava.in the the eyes look down at the floor, the mounth is thing and the image has no shoes. This shows a strong influece from Java that had been prevsilance.

Vishnu on Garuda
SculptureVishnu on Garuda

This Vishanu on Garuda shows the influence of Chava art that blended with the local Hua Lai art. The hat is decorated with three triangular decoration similar to Pala-Chava art. However, the mounth is rather thick, the eyes are protuding and there is a mustache on top of the mounth (the local characteristic). Garuda has a tip and “kanok” wings, which is a local characteristic.

Four-armed  Avalokitesvara
Ho Chi Minh
SculptureFour-armed Avalokitesvara

The head of this Bhodhisavara wears the crown like monk with a trianglular cornice according the Pala-Chava arts. He wears the long Roti cloth according to the southern India-central Chava art. This sculpture has thick mouth and protuding eyes, which are the local characteristics. In addition, yajñopavita robe is also missing. This makes it different from Chava art.

Mukhalinga Cover
SculptureMukhalinga Cover

This linga shows a strong charcteristic of Dong Deung art especially the face. It has thick mounth, large nose and protuding eyes. The eyebrows are connected and there is a mustache. This is very different from the Indian-Chava appearing in My Son E1 and A1. Sometimes, linga might be covered by valuable metal,making it more holy. The metal covered might be made from copper, silver or gold.

Buddha’s Head from Don Duong
Danang
SculptureBuddha’s Head from Don Duong

The head of this Buddha image shows clear local chatcteristics of Dong Deung especially the face. It has thick lips, large nose, protuding eyes, connected eyebrows and curvy hair. It is interesting that there is a lotus bud at the top of the head. This truly represents the local characteristics.

Pedestal from Dong Duong
Danang
SculpturePedestal from Dong Duong

This large base is one of the two bases for the principle Buddha image of Dong Deung. One base has been brought from the Vihara and the other has been brounght from Dong Deung Prasat. Now, they are conserved in Danang Museum. This base consists of scenes about the Lord Buddha life in squre channels. Besides, it is decorated with Kanok patterns and niches of Dong Deung.

Buddha’s Life Narrative: Pedestal from Dong Duong
Danang
SculptureBuddha’s Life Narrative: Pedestal from Dong Duong

This large base is one of the two bases for the principle Buddha image of Dong Deung. One base has been brought from the Vihara and the other has been brounght from Dong Deung Prasat. Now, they are conserved in Danang Museum. This base consists of scenes about the Lord Buddha life in squre channels. Besides, it is decorated with Kanok patterns and niches of Dong Deung.

Buddha’s Life Narrative: Pedestal from Dong Duong
Danang
SculptureBuddha’s Life Narrative: Pedestal from Dong Duong

This large base is one of the two bases for the principle Buddha image of Dong Deung. One base has been brought from the Vihara and the other has been brounght from Dong Deung Prasat. Now, they are conserved in Danang Museum. This base consists of scenes about the Lord Buddha life in squre channels. Besides, it is decorated with Kanok patterns and niches of Dong Deung.